Our bodies are given life from the midst of nothingness. Existing where there is nothing is the meaning of the phrase, "form is emptiness." That all things are provided for by nothingness is the meaning of the phrase, "Emptiness is form." One should not think that these are two separate things.
Qui Mariam absolvisti
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1.0.1

eu versão 1.01

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20130114

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what does it mean to be made of flesh


























what does it mean to be made of flesh










































































































































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photos: Warwick Saint

20120331

Ellen Revenge



































































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photos: by Ellen von Unwerth


20120314

anomia. anonimato (anomie.anonimity)












a distorção futura do meu rosto espera de novo pela tua mão para se reconhecer.
aprendi a incendiar-me de tempo devagar,
começando nas mãos e nos pés que moldam o projecto sem nome,
que lhe rasgam rugas
assustados de paixão.

tornaram-se anónimos os vivos soterrados sobre todos os mortos.
os vivos soterrados de liberdade
para esperar eternamente.

pulverizaram-se as vigas de aço de desejo
quando se abriu o silencio do fenómeno,
a seiva mineral do que está para se formar.


































No início deste trabalho, falei no meu desejo da inocência e do anonimato, da passividade. A inocência que desejo; a inocência da qual falo é também aquela que me faz falar na borboleta ou no pássaro que me entram em casa para dizer
[...] Não é necessário devirmos inocentes para nos podermos deslumbrar? [...]
A inocência da qual falo consiste na própria soberania da subjectividade que não precisa de se submeter a referentes, a paradigmas, a modelos de ordem alguma. Devir inocente é devir soberano porque é procurar o movimento original.
[...]
Aquele cheiro que me enlouquece, começou por ser um cheiro que se colou ao meu corpo, para depois passar a ser um outro cheiro que me deixou enfeitiçada. O desejo não nos põe sempre na dinâmica de um corpo à procura de outro corpo? O desejo na sua forma mais primária, mais primitiva, não morre?
Sonhei com aquele que ainda não sabia que desejava; foi o meu sonho que me revelou esse meu desejo. Aquele cheiro que me enlouquece, e o feiticeiro com o qual desejo devir Um, e aquele que se impôs no meu sonho: estes meus desejos não se excluem, não são contraditórios.
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aN



O
Mi


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"...The state of anomie is impossible whenever interdependent organs are sufficiently in contact and sufficiently extensive. If they are close to each other, they are readily aware, in every situation, of the need which they have of one-another, and consequently they have an active and permanent feeling of mutual dependence."*












a
n
On
I

M
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Industrialization in particular, according to Durkheim, tends to disolve restraints on the passions of humans. Where traditional societies--primarily through religion--successfully taught people to control their desires and goals, modern industrial societies separate people and weaken social bonds as a result of increased complexity and the division of labor.
This is especially evident in modern society, where we are further separated and divided by computer technology, the internet, increasing beaurocracy, and specialization in the workplace. Perhaps more than ever before, members of Western society are exposed to the risk of anomi
e.*















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Images: unknown authors.
so I call them "winter leaves in the wind" (autores desconhecidos - "folhas de inverno ao vento").

* Anthony Giddens. 1972. in "Emile Durkheim; Selected Writings"

** Maria João Ceitil. 2003 in "Pôr o corpo a pensar"

***version 1.0.1

20120311

Newton & Newton. The Properties of Light


Sir, I had formerly purposed never to write any hypothesis of light and colours,
fearing it might be a means to engage me in vain disputes:
but I hope a declared resolution, may defend me from that fear.


































...the agitated parts of bodies, according to their several sizes, figure, and motions, do excite vibrations in the æther of various depths or bignesses, which being promiscuously propagated through that medium to our eyes, effect in us a sensation of light of a white colour
...
















Assuming the rays of light to be small bodies emitted every way from shining substances, those, when they impinge on any refracting or reflecting superficies, must as necessarily excite vibrations in the æther, as stones do in water when thrown into it.






























































































































the elastic effluvia seem to instruct us, that there is something of an æthereal nature condensed in bodies
...














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photos: Helmut Newton
text: Isaac Newton "An Hypothesis explaining the Properties of Light" (1757)