20070430

-32.2 (versão 0.03) (uma repostagem do original de 19.05.06 às 23:32)


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I've seen it all, I have seen the trees,
I've seen the willow leaves dancing in the breeze
I've seen a man killed by his best friend,
And lives that were over before they were spent.
I've seen what I was - I know what I'll be
I've seen it all - there is no more to see!

You haven't seen elephants, kings or Peru!
I'm happy to say I had better to do
What about China? Have you seen the Great Wall?
All walls are great, if the roof doesn't fall!

And the man you will marry?
The home you will share?
To be honest, I really don't care...

You've never been to Niagara Falls?
I have seen water, its water, that's all...
The Eiffel Tower, the Empire State?
My pulse was as high on my very first date!
Your grandson's hand as he plays with your hair?
To be honest, I really don't care...

I've seen it all, I've seen the dark
I've seen the brightness in one little spark.
I've seen what I chose and I've seen what I need,
And that is enough, to want more would be greed.
I've seen what I was and I know what I'll be
I've seen it all - there is no more to see!

You've seen it all and all you have seen
You can always review on your own little screen
The light and the dark, the big and the small
Just keep in mind - you need no more at all
You've seen what you were and know what you'll be
You've seen it all - there is no more to see!


"This is the most horrifying movie I've seen (gave it 10, though)."
I designed a series of objects that could exist in the film "Dancer in the dark" and help the main character Selma to overcome the silence in her isolation cell. I presened my ideas as typographical illustrations in a book.

... his dazzling Medea (1988). Trier's mini-masterpiece is Euripides' Greek tragedy retold via a secular screenplay from Denmark's greatest filmmaker, Carl Dreyer (The Passion of Joan of Arc, Ordet), though never brought by Dreyer to the screen.

Trier's Medea takes place in some timeless Vikingland, and his heroine (Kirsten Oleson) is less a conjuring sorceress as in Euripides than a gypsy-like peasant who has been wounded by the cheating and adultery of her husband, Jason (Udo Kier). The incredible black-and-white photography reminds of both early Bergman (The Seventh Seal, The Virgin Spring) and Throne of Blood, Kurosawa's Japanese retelling of Macbeth. I
n fact, there are several scenes in this superbly visual movie for which Trier literally quotes moments from Kurosawa, of characters caught in a fog, then lost-physically, spiritually- in the primeval forest.
http://www.geraldpeary.com/mini-reviews.html


e've together taken many wonderful jou



2 comments:

Lara said...

dASSE QUE O TEU BLOG TÁ CADA VEZ MAIS GENIAL! Parece assim um labirinto do qual não conseguimos nem sequer queremos sair.

quanto ao premio faz o que entenderes... eu não visito muitos mais blogs do que aqueles que referi.

quanto ao texto saiu-me ontem aí em 10m, coisa que nunca acontece. :|

beijokasss muitasss muitasss pa ti!

A. said...

...assinado.obviamente.





um abraço.meu.

obrigada 0.0.muito.

ana.